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一直作為米路斯．科(kē )曼(màn )劇本(běn )鐵三角（另一位是(shì )帕培錫，也(yě )是本(🤢)片編劇(jù )之(zhī )一）(🎹)成員的(de )艾雲．巴薩，當然(🥩)也走低度戲劇路(⏬)線(xiàn )。同(tóng )是音樂(♑)家的彼德(dé )與卡洛老(🔸)友重(chóng )逢(féng )，生(🛍)活狀(🕖)況(🕯)大(👁)不同(tóng )，你(nǐ )有伴侶(🚉)我有家(🐖)庭，然而都有(🥞)說(shuō )不(😚)出(🍮)的不(bú )明朗，唯有(yǒu )(🐶)以(yǐ )酒(🕕)與(yǔ )音樂代替口水。全片(📎)推(tuī )展不問目(🌚)的(de )，只在剎那間的意圖(tú )，行行企企(🥎)比起科曼(màn )更義無反顧，卻(què )有生活淡如(rú )流水(shuǐ )的詩意和(hé )繆(miù )思，叫(🥫)觀眾聯想(xiǎng )(🔔)到二(🤲)十年(⛳)後的伊力．盧馬。巴薩鍾(🧟)愛音樂的程(chéng )度不下於文字和電影，古(🥊)典音樂(lè )與民間音(yīn )樂於全(➡)片迴轉迴盪，難怪(🤷)成了奇斯洛(luò )夫斯基十(shí )大心愛電(diàn )影之(zhī )一。 (😙)康(🤥)城影(📛)展(zhǎn )青年評審團獎，美國(guó )全國影評人(rén )協會(📐)特別獎(jiǎng ) 這(🖍)部1966年的珍品(pǐn )，是捷(🔲)克新(🕕)浪潮短暫生命中最佳作(🛃)品(⏺)之(👩)一。成名(❓)音樂(lè )(✖)家到(dào )(💑)小鎮探訪(🚩)舊(jiù )(🍹)同(⛴)學，舊(💁)同學是個(gè )窮(qióng )音(yīn )樂教師，有時(shí )在(zài )喪(🚪)禮上吹奏樂曲(qǔ )。平凡的素(💨)材(cái )在巴素手裡，變出風趣復罕見的旋律(🏆)，一部憂鬱(⛎)的喜劇，或灰(🏗)色喜(xǐ )劇(jù )。 (🔝) - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (😡)Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🆒) - Elliott Stein, Village Voice (🎻) Source HKIFF Czech New Wave 2006
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