一直作(zuò )為(🌠)米路斯(sī ).科(kē )曼劇(jù )本(📼)鐵三角(另一位是(shì )帕(pà )(😘)培錫,也是本片編劇之(zhī )一)(🎹)成員(🥈)的(de )艾(🛤)雲.巴薩,當然(🥩)也(💤)走(zǒu )低度戲劇路線。同(tóng )是音樂家的彼(bǐ )德與卡洛老(lǎo )友(yǒu )(👑)重逢,生活狀況大(dà )不(🙍)同,你有伴侶我有家(jiā )庭(🕌),然而都有(🥞)說不出的不明朗,唯有以(yǐ )(🥀)酒(jiǔ )與音樂代替口水。全片推(🧚)展不(bú )問(🥁)目的,只(🛑)在(zài )剎(chà )那(🖲)間的意圖(tú ),行行企企比起科曼更義無反(fǎn )顧,卻有生(shēng )活淡(dàn )如流水的(💪)詩意和繆思,叫觀眾聯想到(dào )二十(🕙)年(nián )(⛳)後的伊力.(🏯)盧馬。巴薩鍾愛(🚴)音樂的(de )程度不下於文字和(hé )電影(yǐng ),古典(🍑)音(👊)樂(lè )與民(🚗)間(🐾)音樂(lè )於全片迴轉迴(⛏)盪,難怪(🤷)成了奇斯洛(luò )(🚶)夫斯基十大心愛電影(yǐng )(💿)之一。 (🔍) 康城影展青(👌)年(nián )評審團獎,美國全國影評人(🏴)協會特別獎 (🌱) (🆙)這(zhè )部1966年的珍(zhēn )品,是捷克新浪潮(cháo )短暫(zàn )生命中最(🐂)佳作品之一。成(chéng )名音樂家(🕺)到(💑)小(🎴)鎮探訪舊(🍹)同學,舊同(tóng )學(⏺)是(shì )個窮音(🈳)樂教(jiāo )師,有時在(zài )喪禮上吹奏(zòu )樂曲。平凡的素材在巴(🛃)素(sù )手裡(🕵),變出風(🐇)趣(♊)復罕見的(🍉)旋律(🏆),一部憂鬱(yù )的(🏖)喜劇,或灰色喜(😼)劇。 (🏁)- Dave Kehr, Chicago Reader (🍂) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends –(👂) musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🐃) Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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